I believe that's an absolute necessity. You believe that, right? Count again. Connolly, get your ass back on the kit! Fletcher: So, are you upset? Fletcher: Tell me it's not you, Elmer Fudd. Carried your fat ass for too long, Metz. Double-time swing. : Do you know you look like a f***ing leprechaun? Any fucking moron can wave his arms and keep people in tempo. But is there a line? I'd like to try Neiman on this. [plays a slow trumpet song through speakers]. I SAID NOT NOW! Andrew No. Andrew: And Jones nearly decapitates him for it. But that's just what the world wants now. [slap in the face] One, two, three, four. What the hell are you doing, man? Seth Godin. [being restrained by band members] I apologize to the musicians. No? what does whiplash mean sexually what does whiplash mean sexually (No Ratings Yet) . I was there to push people beyond what's expected of them. I actually fucking tried. Andrew Terence Fletcher: And when I do spend time with you, I'm gonna be thinking about drumming. Tanner, are you a fucking statue? If your ass is not on that stool with your own f***ing sticks in hand or you make ONE F***ING MISTAKE, ONE! Say it so the whole band can hear you. [after Andrew stops drumming] If you need to fuckin' take a dump, or get a coffee, whatever, now might be a good time because we're gonna stay here until I find a drummer who can fuckin' play in time. So imagine if Jones just said "Well, that's okay Charlie. Cries himself to sleep that night, but the next morning, what does he do? Fuck you! Whiplash is a 2014 film about an occupied drum student and an abusive teaching conductor at a cutthroat music conservatory. How 'bout, uh, Caravan? Can you even f***ing read music?! So for the final, FATHER-FUCKING time, SAY IT LOUDER! You know, maybe, you go too far and you discourage the next Charlie Parker from ever becoming Charlie Parker? Terence Fletcher: Were you rushing or were you dragging? You know, for a fact? Alternates, will you clean the blood off my drum set? Am I to understand that you cannot read tempo? Nope, I guess not. I don't give a sh*t. Terence Fletcher: Now we got ourselves our mick f***ing paddy-cracker. I was there to push people beyond what's expected of them. Subscribe A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential. Andrew: What does that have to do with me? Give yourself at least two hours to get there this time, alright? Rate this quote: (5.00 / 1 vote) 1,523 Views He practices. Well, you better f***ing hope your memory doesn't fail you. Nicole: Either you're deliberately out of tune and sabotaging my band, or you don't know you're out of tune, and that's even worse. F*** [Rushes to pick up his rudiments]. And that's more than most people ever do. No, man, no. That to me is an absolute tragedy. Andrew: You catch on quick. You choose. [calmer tone] I've carried your fat ass for too long, Metz. Terence Fletcher Terence Fletcher: THEN WHY THE F*** DIDN'T YOU SAY SO? DON'T STOP! He practices. : [after several hours of drumming] : Terence Fletcher: Soundtracks, Andrew stop playing because Fletcher enters the room, Andrew plays while Fletcher removes his jacket and puts it on a rack, Andrew continues playing until he hears Fletcher slam the door out, Andrew keeps playing after the music ends, plays a slow trumpet song through speakers, Rushes to pick up his rudiments, but turns to Connelly, kicks drumset out of the way and tackles Fletcher, the band prepares; Ryan Connolly is on the drum kit, Band begins to play for a moment only to be immediately cut by Fletcher, Ryan gets up from the kit and is replaced by Andrew, Band plays for a moment only to be cut by Fletcher again, a reluctant Andrew gets up from the kit and is replaced by Carl Tanner, Band plays and is immediately cut off again, at a movie theater, Andrew approaches Nicole behind the concession stand. I get off at 7 on Monday. I believe that's an absolute necessity. I'm upset. Terence Fletcher: The folder is your f***ing responsibility, Tanner. Parker's a young kid, pretty good on the sax, gets up to play at a cutting session, and he fucks it up. More Whiplash quotes Collection Edit Buy Terence Fletcher: The folder is your f***ing responsibility, Tanner. Did I ask you to star playing again? Andrew I don't think people understood what it was I was doing at Shaffer. : I don't know the charts by heart. Guys, just put your instruments down for a minute. : Terence Fletcher: And he practices and he practices with one goal in mind, never to be laughed at again. : Neiman? I believe that's an absolute necessity. | Let's go with the Irish Mick fucking Paddy cracker. Fletcher: Cool. Andrew: One, two, three, four. [Andrew stop playing because Fletcher enters the room] : Terence Fletcher: There's no pot of gold down there. : Sorry guys, hate to put you through this. Andrew : I-I don't know. Terence Fletcher Then Charlie thinks to himself "Well, shit. FIND THE FOLDER! So, imagine if Jones had just said, "Well, that's okay, Charlie. Best Whiplash Quotes 1. If you need to fuckin' take a dump, or get a coffee, whatever, now might be a good time because we're gonna stay here until I find a drummer who can fuckin' play in time. Otherwise, we're depriving the world of the next Louis Armstrong. in Literary Quotes in Movie Quotes in TV Shows Terence Fletcher: You give a calculator to a f***ing retard he's gonna try to turn on a TV with it. That was alright. Terence Fletcher Terence Fletcher: [a reluctant Andrew gets up from the kit and is replaced by Carl Tanner], [Band plays and is immediately cut off again]. You're right, we should not be dating. Alternates, will you clean the blood off my drum set? Are you one of those single tear people? I actually fucking tried. But that's just what the world wants now. Terence Fletcher: [going back to compose the band] 1,310 of 1,323 found this interesting | Share this Andrew : [ to Connelly ] HEY, FUCK OFF, JOHNNY UTAH! Terence Fletcher: I'm gonna keep pursuing what I'm pursuing. Play. I ask why you stop playing and your version of an answer was to turn into a wind-up monkey. : Terence Fletcher: This is not Saint f***in' Patricks Day, Flannery. The faculty were all telling him, "Maybe this isn't for you." We have an out-of-tone player here. : Tanner? Terence Fletcher: For the record, Metz wasn't out of tune. Got it? I can still fucking see you, Mini Me! Now get your sticks and get your ass on stage. I ask why you stop playing and your version of an answer was to turn into a wind-up monkey. Cries himself to sleep that night, but the next morning, what does he do? Terence Fletcher I'M UPSET! Terence Fletcher Nicole: What the f*** is wrong with you? Two bars for free. Terence Fletcher: [playing an audio clip of a trumpet solo for the band] Six years ago, I came across a kid in a practice room working on his scales. You know I would stop you from doing that. I know what it's like to be high. Terence Fletcher YOU'RE A DUMB FUCK! Uncle Frank: You got any friends, Andy? Uncle Frank: | Seriously, take ten, twenty, a fuckin' hour. Not quite my tempo. So now you have it, right? Nice to meet you too. [after several hours of drumming] So for the final, FATHER-F***ING TIME, SAY IT LOUDER!!! Andrew: Otherwise, we're depriving the world of the next Louis Armstrong. Hey, you know, fuck off, Johnny Utah! Lawyer: Does the name Sean Casey mean anything to you? : Any fucking moron can wave his arms and keep people in tempo. Fletcher: Nieman, you lost the f***ing part. Terence Fletcher Terence Fletcher Terence Fletcher: I think I'll call you Flannery. | Andrew: [a little louder] I'm upset! [Andrew keeps playing after the music ends] : Usually it's someone who has fucking sticks. I'll tell you, man - and every Starbucks "jazz" album just proves my point, really - there are no two words in the English language more harmful than "good job". : Uncle Frank: Well, who are you going to play with otherwise? Try me, you fucking weasel! Terence Fletcher: Connolly, get your fuckin' ass back on the kit! That, to me, is an absolute tragedy. I'm sorry, I Terence Fletcher: He reveals to him before the performance that he is aware Neiman testified against him. : : How 'bout, uh, Caravan? Fletcher: Why do you suppose I just hurled a chair at your head, Neiman? Looks like that might be all night. | You never earned anything. Truth is, I don't think people understood what it was I was doing at Shaffer. Gets up to play at a cutting session, and he f***s it up. I'm a first year. His methods of exacting the best from his students include belittling them, throwing objects at them and creating a level of tension so high that average individuals would likely crumble under the pressure. You think Carleton football's a joke? And when he graduated, Marsalis made him third trumpet at Lincoln Center. Terence Fletcher: Give yourself at least two hours to get there this time, alright? But they didn't see what I saw. Terence Fletcher : So, imagine if Jones had just said, "Well, that's okay, Charlie. Fletcher would never know it was you who spoke up. Andrew A year later, he was first. There is not a pot of gold under your f***in' seat. A piece of vital evidence that gets overlooked is the air quotes that Fletcher does about an hour later in the film. : Terence Fletcher: For the record, Metz wasn't out of tune. His mother claims this started during his time as Fletcher's student. We have an out-of-tone player here. : Terence Fletcher: Get the f*** out! Cool. Nicole: If you want the fucking part, earn it. Carl: [Angry] How could you be so f***ing stupid? But the truth was, he barely squeaked in to begin with, and, uh he was really struggling. You were, Erickson, but he didn't know and that's bad enough. If your ass is not on that stool with your own fucking sticks in hand or you make ONE FUCKING MISTAKE, ONE! Terence Fletcher I'm in studio band because I'm the best player Ryan: [interrupts] Hey, why don't you just back off, bro? Do I look like a double fucking rainbow to you? Terence Fletcher: : Don't worry about what the other guys are thinking. : And I will never apologize for how I tried. I apologize to the musicians. [to Connelly] Lennon and McCartney, they were school buddies, am I right? Terence Fletcher: "You're here for a reason. [loud] Carl: I gave Neiman the folder and Neiman lost it. And I've thought about it a lot and this is what's gonna happen. The next Charlie Parker. Terence Fletcher: LOUDER! That, to me, is an absolute tragedy. A F***ING JANITOR?! I'll be on your time. Answer: 1) Fletcher recruited Neiman to attempt to humiliate him publicly. : Nieman, you earned the part. The only reason you are a core is because you misplaced a folder. Terence Fletcher: Try me you f***ing weasel! Andrew, what are you doing, man? Fletcher: No? Terence Fletcher: I wasn't there to conduct. It's gotta be around here. I wanted you guys to know he was a beautiful player. Andrew: Maybe it's time to *finally* bring this home. He's verbally and physically abusive, but he believes that this is necessary in order to breed greatness. Whiplash Quotes. [a reluctant Andrew gets up from the kit and is replaced by Carl Tanner], Terence Fletcher [Andrew drums the measure] Stop. You've got ten minutes, you fucking pathetic pansy-ass fruit-fuck! Terence Fletcher Terence Fletcher And I will never apologize for how I tried. I believe that is. Then why did you stop playing? Terence Fletcher: Terence Fletcher And I put him in Studio Band. Terence Fletcher: : Filming & Production Andrew What the fuck are you looking for? Are you in Model UN? Terence Fletcher Did you see-. Travis: I got a reply for you, Andrew. We're doing our best to make sure our content is useful, accurate and safe.If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly. I'll cue you. And he's laughed off stage. Metz, why are you still sitting there? Terence Fletcher This would not be a public hearing, you know. Carl: A janitor? Say it. Andrew: You can't fucking do this to me! FUCK YOU! I'm not gonna have you cost us a competition because your mind's on a fucking happy meal instead of on pitch. And I'm gonna be thinking about jazz music, my charts, all that. Andrew: But I tried. Terence Fletcher I'm not. | Terence Fletcher [Fletcher slaps him again] One, two, three Terence Fletcher: Now, was I rushing or I was dragging? : Terence Fletcher: Get the f*** off my sight before I'll demolish you! What the fuck is wrong with you? FASTER! Am I wrong? No, double time. Terence Fletcher Andrew: None of us were friends with Charlie Parker. [visibly distraught after phone call] Two bars for free. There are no two words in the English language more harmful than "good job". Isn't he cute? Listen, the key is to just relax. A man walks into the room and listens to him play. Andrew And you have a path, and you're gonna be great, and I'm going to be forgotten, and therefore you won't be able to give me the time of day because you have bigger things to pursue? So that's your idea of success, huh? They have plenty of friends and plenty of purpose. And when I do see you, you'd treat me like shit because I'm just some girl who doesn't know what she wants. Have fun. FASTER! Andrew FASTER! Terence Fletcher: Say it so the whole band can hear you. So for the final, FATHER-F***ING time, SAY IT LOUDER! And he's laughed off-stage. Neiman? Nicole: BULLSHIT! I believe that is an absolute necessity. I think I'm gonna start calling you Flannery. Terence Fletcher: Relationships, friendships or other trappings of a normal life disappear under. Andrew: I don't know, I just never really saw the use. Let's go! But is there a line? One, and two, and-, [Band begins to play for a moment only to be immediately cut by Fletcher]. Andrew "Now this one really upsets me. You're here for a reason. End of story. Terence Fletcher: Five-P.M. call tomorrow in Dunellen. Parker's a young kid, pretty good on the sax. And he practices, and he practices with one goal in mind: Never too be laughed at again. Fletcher: You never earned anything. Do you think you're out of tune? Terence Fletcher Fletcher: So no musicians in the family. Terence Fletcher : Terence Fletcher: Terence Fletcher: What are you there's no f***ing Mars Bar down there, what are you looking at? Ok, maybe a bug flew in my ear. I'm upset! I'm sorry. I'm so sorry, I'm so sorry. Terence Fletcher : People innovate, not companies. Fletcher says Neiman is worthless etc you are a worthless, friendless, ***** -lipped, piece of s * , whose mommy left daddy when she figured out he wasn't Eugene O'Neil and who is now weeping and slobbering all over my drum set like a f * Andrew: [louder] I'M UPSET! : Andrew: No, I didn't! The only reason you're in studio band to begin with is because I told you EXACTLY what I'd be asking for in Nassau! Terence Fletcher: Terence Fletcher [entering the room] Six years ago, I came across a kid in a practice room, working on his scales. It's Fletcher, one of the prominent teachers at Shaffer. I'm sorry, I Terence Fletcher Terence Fletcher:Not quite my tempo. Do not come early. When did you become a fucking expert on what I can or cannot do, you fucking weepy willow shitsack? Andrew: And I would stop you from doing that? Hey, i can cut you any fucking time i want. What are you, f***ing Sanjay Gupta? : : Andrew There are no two words in the English language more harmful than "good job". Terence Fletcher : I just thought you should know. [Rushes to pick up his rudiments, but turns to Connelly]. See what I'm saying? The next Charlie Parker. Terence Fletcher: Terence Fletcher Why would you give it to Neiman? Terence Fletcher: [yelling] Do I look like a double f***ing rainbow to you? The truth is, Andrew, I never really had a Charlie Parker. Connections Good job." Andrew: You were, Erickson, but he didn't know and that's bad enough. : Tanner? Andrew : [Rushes to pick up his rudiments, but turns to Connelly]. What the fuck are you looking for? 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